A Nod To Fauvism - Time Lapse - Speed Painting - J. Travis Duncan

Portrait of a young lady with a nod to one of my favorite art movements, Fauvism. Using the iPad Pro, Apple Pencil, and Procreate app, I painted this with Derain and Matisse in mind, especially “Portrait of Matisse” by André Derain and “Woman With A Hat” by Henri Matisse.

Portfolio of J. Travis Duncan: www.jtravisduncan.com

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From: J. Travis Duncan Artworks

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Henri Matisse, The Blue Blouse, 1936

Learn more about the artistic credo of Henri Matisse and about the woman who served Matisse as a model for several years. From the podcast series featuring highlights of the Kunstmuseum Bern’s collection.

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From: MuseumOfFineArtsBern

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Compilation of Time-Lapse Videos

Time lapse videos of creating "Banana" by Andy Warhol, "Portrait of Madame Matisse(green stripe)" by Henri Matisse and "The Weeping Woman" by Pablo Picasso using food materials

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From: Karley Stoddern

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Henri Matisse:Resting woman wearing tiara


Henri Émile Benoît Matisse (2869-1954), known for his original draughtmanship.The Baltimore Mueum of Art. The Cone Collection.The highlight in the museum is a group of 500 works by Matisse, considered the largest and most significant in the world.

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From: annerose2012

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Examining Woman Seated by Henri Matisse

How long do you think it took Matisse to paint this masterpiece? Senior Painting Conservator Scott Heffley takes a guess.

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From: The Nelson-Atkins Museum of Art

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Woman With a Hat

Analysis of "Woman With a Hat" by Henri Matisse

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From: kah1449

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From: kaydihayattv

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Henri Matisse at Work in 1946 - Young Woman in White

Henri Matisse (1869–1954) filmed in 1946 while painting his "Young Woman in White, Red Background" (Jeune femme en blanc, fond rouge - oil / canvas - 92x73cm). The Master uses here a simple plate as his palette. The haitian model is painted in the typical "odalisque-pose" that Matisse loved so much. She is lying on a white tiger skin (dixit Louis Aragon). As wrote John Elderfiel about this painting : "The face of this model appears more distant from us than the painted proximity of the whole...

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From: Jean-Michel René SOUCHE

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